What a perfect description of what I try to do every time I sit down to write. But why is Sebald so much better at it? Just look at the smug bastard.
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After that sentence he's able to segue as smooth as a Spanish midfielder from checking out an innkeeper in a mirror to a discussion of provincial Italian theatre to a remembrance of a Chinese optician named Susi Ahoi who keeps making everything go out of focus and then back in, now as then.
1 comment:
yes yes yes
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